Saprana singing and dancing upon the tip toes reveals there are twenty cakras and beyond. . . .

[ISYS SATKHA]

An aspiring devottee who was once called Sat guru apparently had some horrid aversions to dancing and despite his efforts to become a pure Krsna Bhakta had encountered numerous glorious yet atrocious energy centers khalled cakras in the lower half of the bodhi . . . .evidently these lower cakras were inflicting murderous thoughts, survivalist tendencies and angst at the very least described as unspeakable and they all had one thing in common . . . besides having never before appeared in print . . . they all ended with the syllable LA . . la as in to sing non chalantly . . . .

As if the cakras had only made the presence known to him while remaining aloof to his capacity to experience pleasure . . . . whereas. . . having begun my ballet classes at age nine. . myne wer4e fully awake and ecstatic. . . like many bhaktas lotus feet . . . .once uncovering this indecency attempting to publish a new form of free knowledge. . . . . i receive the kha!!!

These twenty cakras are available for the honouring of all souls now and certainly must be aspired toward in neophytes of all branches of vaisnavas. . . .

The patakha cakra upon the bottoms of the feet is the source of inspiration and homing!

The mantakha ckaras atop the feet where some rare essenes (like myself)) have formed subtle stigmatats in empathic communion with the christ (where the nails were driven)) are the sources of non-chalance in the face of social upheaval or as it were crucifiction!

The rasatakha cakras are the ankles and reveal one's individual idiosyncracies with regard to activities or sacramenthes symbiotically with experiemntation until one finds one's bhava and the ankles can sparkle in the proper mood alligned with the divine intention of the devottee!

The takhatakha cakra is the seat of forgiveness, generosity and sponataneous acclaim. . . . the chins and calves are all permeated by her essence!

The sutakha cakra is the patella and the joints around and gives one freedom to support oneslef when it is healthy!

The vitakha cakra at the base of the thighs and above the knee can be encoded in awakened souls to signal danger or excitement!

The atakha cakra is at the hips and encourages one's inclination toward rasa lila and bhava!

The Sathka cakra also known as the muladhara cakra is at the root of the spine and indicates one's paersonal relationship woth the Lord asserting individual identity and giving one self reliance in relation to society and world.

The svadisthana cakra is the residence of the seeds of creation and the upper chambers of the procreative organs!

The manipura cakra is the CHI and rests awakened illumined sun light from the center of the sternum!

The vissudha cakra is the the throat cakra and is the source of one's purpose in life ~ through awakenment of the visuddha ckaras in sincere devotion all the upper cakras can awaken and in thyme lead one to complete satisfaction with all of life provided one doesn't ever stop this work!

The ajna cakra is the third eye - when we are in commmunion through the subtle energy centers in the tulasi of the nose (articulated by the tilok)) we are activating our impulse towrd intuitive communication which is stimulated by this sort of intimate worship of Lord Visnu . . . .

The sahasrara cakra is the crown where divine knowledge is manifest in all of the aqfore mentioned cakras. . . . beytond this is

the sathya cakra where one's divine nature stabilizes in one's bodhi

the artha cakra is the seat of the soul where one's creative work becomes apparent as the guiding force behind all of one's experiences in life!

the dhama cakra is the doorway to manifesting one's divine purpose in life whereby the subtle bodhis create an etherical domain if you will about the aura and surroundings in which the interstellar dhama of one's spiritual nature can be experienced!

the moksha cakra is the crest of awakenment where advaita becomes transparent and all moral and religious judgementhes can be experienced without judgement and with limitless compassion!

the dikshaprakrta cakra is the initiatory jewel of self-realization where one at last is able to recognize that all the works of "others' are a direct ripplie reflection of the vibration one creates in one's personal and or public solitude with the Lord!

the bodhi cakra manifests thru' the sudden mortal reality of the bohdi and one's transcendental position in relatioin to the wise existence thru' her!

the ardhi is the celebratory khall to the herd which invokes the presence of one's spiritual family from previous and future generations too!

the tretha cakra is the relative holi domain of these pure devotttees of the nectar maker . . . . and brings one into eternal communion witrh divine motehre regardless of previous qualification and persistant devotion to the work. . . once this cakra is open one is engaged with the mothere paersonally until enlightenmenthe is reached!

the dvarpara cakra is the gateway to lila where pasttimes in the rhelm of the divine play and the glory of inphinite inpenetrable beauty reside captivating one's heart in the presence of everlasting love!

the satkha cakra is the highest known cakra and is the flame of absolute truth . . . . with one encounter . . . one's life view may shift dramatically and guide one irrevocably upon the path of truth and selfless surrender to pure bliss truth living awakenmenthe!